DAZN in late 2025 and early 2026: more channels, clearer plans, and a stronger “platform hub” strategy
January 02, 2026
DAZN is no longer just “the app where you watch football.” Between late 2025 and early 2026, the service has started to move in a clearer and more ambitious direction: becoming a wider digital hub, designed not only for live sports, but also for broader entertainment—aiming to grow its audience and increase the time users spend on the platform.
The shift is visible in the latest announcements, which touch both the commercial side (subscription plans) and the content strategy. The message is in…
Italian cinema in 2026: a year of major comebacks, strong auteurs and new production bets
January 07, 2026
2026 is shaping up to be a particularly compelling year for Italian cinema—not only because of the number of films scheduled for release, but also due to the range of projects and the relevance of the filmmakers involved. After years in which theatrical releases faced intense pressure from streaming and audiences became increasingly selective, Italian production seems ready to move forward with renewed ambition on two key fronts: festival-driven auteur films and mainstream theatrical titles des…
Berlinale 2026: First Wave of Titles Revealed for Special, Panorama, and Generation Sections
January 07, 2026
Berlinale 2026: First Wave of Titles Revealed for Special, Panorama, and Generation Sections
The Berlin International Film Festival has officially unveiled the first wave of titles for the highly anticipated Berlinale Special, Panorama, and Generation sections of the 2026 edition. This year’s selection appears particularly bold, featuring a strong push toward genre cinema and narratives that explore the complexities of the current global geopolitical landscape. In the Panorama section, the foc…
Italian box office after the holiday season: strong momentum driven by “Buen Camino” and the “Avatar effect”
January 10, 2026
The holiday season has always been one of the most critical periods for Italian movie theaters. Audience attendance typically rises, families are more likely to return to cinemas, and release schedules are built around titles designed to attract broad, mainstream audiences. Early 2026 has followed the same pattern, with post-Christmas box office figures showing solid momentum and an encouraging sense of vitality across the theatrical market.
The standout title in Italy has undoubtedly been “Bu…
Netflix in 2026: bigger event content, a stronger ad-driven business, and a full media-company strategy
January 11, 2026
Netflix is entering 2026 with a clear message: it no longer wants to be seen simply as “the platform with lots of series,” but as a complete entertainment ecosystem—built on major titles, new formats, and multiple revenue engines. This shift is becoming increasingly visible through official announcements and product decisions made between late 2025 and early 2026.
A 2026 built around event-level content
Netflix has already unveiled a significant part of its 2026 slate, framing it as a year pa…
Italian families between streaming and traditional TV: coexistence, hybrid habits, and a new “living-room TV” model
January 15, 2026
In recent years, the way Italian families consume television and entertainment has changed dramatically—but not in a clean “either/or” shift. Rather than fully replacing traditional TV, what is clearly emerging is a hybrid model, where streaming platforms and linear television coexist within the same daily routine.
Recent media consumption data confirms this reality: streaming keeps growing and reshaping viewing habits, while traditional TV remains a powerful reference point—especially for fam…